With this seventh model, Didier Gomez brings us a new seating solution for urban environments which marries visual lightness, remarkable compactness and exceptional comfort. Hudson’s lines are clean, architectured, geometric and functional, clearly asserting a direct line of descent from Mies van der Rohe and then Florence Knoll (1954). Sixty years later, Didier Gomez successfully revisits this design icon, magnifying the comfort whilst reducing the dimensions (the large settee going from 230 cm to 194 cm) and lightening the lines.

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